There’s a lot of high notes in pretty much anything from Kiske-era Helloween, particularly on the Keeper of the Seven Keys albums. Halloween is a nice example.
Similarly, a lot of stuff by Judas Priest when Rob Halford is on vocals, with Painkiller being a perfect example.
But Geoff Tate is one of the best, IMO, perfectly encapsulated in Queen of the Reich.
I don’t know that any of them are the “highest” I’ve heard, exactly, but Geoff Tate is probably up there.
There’s a lot of high notes in pretty much anything from Kiske-era Helloween, particularly on the Keeper of the Seven Keys albums. Halloween is a nice example.
Similarly, a lot of stuff by Judas Priest when Rob Halford is on vocals, with Painkiller being a perfect example.
But Geoff Tate is one of the best, IMO, perfectly encapsulated in Queen of the Reich.
I don’t know that any of them are the “highest” I’ve heard, exactly, but Geoff Tate is probably up there.