For non fiction I’d probably say Autumn in the Heavenly Kingdom by Stephen R. Platt.
A history of the taiping rebellion, it takes a very close eye to some of the more prominent people of the conflict and examines the whole thing in much more detail than you can usually get from English language sources.
For fiction I’m split between The Free People’s Village by Sim Kern. A tragedy focusing on a fictional protest encampment in an alternate present where Al gore won in 2000 rather than bush, and instead of declaring war of terror declared war on climate change. ‘Green tech’ and carbon credits stand ascendent yet the oil refineries are still going strong, and the real cost being put on those least capable of handling it.
I forgot to mention what I was split with and that’s probably Light Bringer by Pierce Brown, the 6th book in the red rising series. A quintessential space opera with all the grand scale and melodrama that brings with it, while also defying many of the cliches of that genera with less one dimensional villains and more moral grey area, (and a heaping helping of edge). Not for everyone but I thoroughly enjoy it.
For non fiction I’d probably say Autumn in the Heavenly Kingdom by Stephen R. Platt.
A history of the taiping rebellion, it takes a very close eye to some of the more prominent people of the conflict and examines the whole thing in much more detail than you can usually get from English language sources.
For fiction I’m split between The Free People’s Village by Sim Kern. A tragedy focusing on a fictional protest encampment in an alternate present where Al gore won in 2000 rather than bush, and instead of declaring war of terror declared war on climate change. ‘Green tech’ and carbon credits stand ascendent yet the oil refineries are still going strong, and the real cost being put on those least capable of handling it.
I forgot to mention what I was split with and that’s probably Light Bringer by Pierce Brown, the 6th book in the red rising series. A quintessential space opera with all the grand scale and melodrama that brings with it, while also defying many of the cliches of that genera with less one dimensional villains and more moral grey area, (and a heaping helping of edge). Not for everyone but I thoroughly enjoy it.