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Cake day: June 12th, 2023

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  • On the flipside of this, I’ve been kicked from games because I know how to prefire, and a lot of players see that and just assume you’re wallhacking. Nobody pays attention to the 70% of the time that you prefire at air, but when you guess right and instakill someone holding an angle, it’s easier to say “cheater” than “i’ve been holding this same angle for the past 5 rounds, perhaps I’ve become predictable”


  • I have small hands and still fingertip basically all the time, and I have all my life. I don’t use a small mouse either (G502)

    I hate how smudgy and uncomfortable it feels to have reduced fine control when my palm comes into contact with the mouse. It feels icky and frustrating. I know plenty of people palm grip with low DPI and big mousepads to achieve fine control, but that seems far more exhausting than just developing stamina in the forearm.


  • This comment will include a lot of spoilers for the yokoverse. Continue at your own peril.

    Anyway, just to give you an idea of how little any of this matters to Yoko Taro, here’s how his stories have developed:

    Drakengard: Ends with absolute apocalypse, total destruction of the world, no coming back.

    Nier: Let’s go ahead and change the name and say that all the Drakengard stuff has now entered a new dimension. Our dimension! The story technically goes on, and THIS time we’ll have the absolute apocalypse of OUR world.

    Drakengard 3: Where do we go to continue the Darkengard name? Make it a prequel! Ezpz. Also we already did interdimensional stuff so let’s add time travel why not.

    Nier Automata: Okay the world basically ended for humans, but who cares? Just make it all about legacy of humans.

    You know what, we can do even more already. Why not pepper in some mobile games, like Nier Reincarnation and SINoALICE (yes, this is still Nier universe). Why keep it to games? Let’s write light novels (YoRHa, Drakengard 1.3) and a stage play (YoRHa Boys). I am not even the biggest Yokostan so this list is probably incomplete.

    My personal take is that this methodology is all very intentionally tied to the main theme of the Yokoverse, which is that no matter how dark and hopeless the situation may become, there is always a future; a new opportunity.




  • Pokemon is how a lot of people got into games to begin with. It was a new and innovative experience from their perspective. Pokemon Red/Blue was a competent game with some fresh ideas, but through luck/marketing it became the launch point for a massive population of people into the gaming industry.

    So now you’ve got a few factors playing into Pokemon hype:
    Nostalgia (you never forget your first)
    Production value (this made money, pump more money in)
    Incidentally a formula that favors expansion (just add more Pokemon)

    These factors are enough on their own to carry a franchise for a while, especially for an otherwise ignorant audience that doesn’t play anything else (just like the people who just play FIFA games and nothing else). But at some point, it becomes too obvious even to the most zealous supporters that the formula is, well, a formula, and it’s not changing or improving, and even they finally begin to criticize the product. It’s easy to have a favorite pokemon out of 150, maybe even 450, but now there are over 1000 and it becomes exhausting even for die-hard fans. Even the number of types has exploded to 18 without actually having any interesting interactions to justify them, it’s just more for the sake of more.

    Plus, the most recent releases have been impressively lazy, again so much so that even megafans can’t nostalgia their way out of it.

    All this together makes for a history of a franchise that was one vehemently defended but is now seen as an embarrassing phase one went through as a child.


  • Could still be a real European perspective. I’ve found a lot of people who are only casually familiar with North America will be able to tell you the broad cultural strokes and then one or two bizarrely specific facts. Like, “Oh yeah, America is all New York, Texas, California, Florida, and who could forget the iconic Egyptian Theatre of Boise, Idaho.”




  • It always works out fine for them. I don’t know why anybody says imperialism or colonialism are bad or destructive, seems to me that Britain and France and Spain and Portugal and the Dutch are all doing fine. Really weird how maps of their empires seem to overlap a lot with parts of the world that currently or recently experienced a lot of, idk let’s call it “troubles?” They must be dumb or smth


  • dreadgoat@kbin.socialtoScience Memes@mander.xyz6/10
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    9 months ago

    US schools definitely mess with your head the higher of an achiever you are.

    In remedial classes, in most places, 60 is passing.
    In normal classes, in most places, 70 is passing.
    In advanced classes, you may be kicked out for scoring under 80.

    The intuitive concept of “barely good enough” keeps getting higher as you perform better, plus of course each of these types of classes are progressively more difficult by their nature. It really fucks with people who are excellent in some subjects but average in others.


  • You’re missing the scale.

    Everyone knew BG3 would “a success,” but it hasn’t just been a success, it’s been a nuclear bomb of a success.

    Optimistically, people were expecting to get around 1 million in sales. Total. THAT would have been a GREAT SUCCESS. Today I think it has around 10 million on Steam alone, 10x the “hope we get there” number.

    Imagine taking a job and hoping for a $10,000 bonus for good performance, and then your boss drops $100,000 on your desk. It’s that level of joyful shock.


  • The determining question for whether or not it’s the same is this: Are you the physical matter of your brain, or the electricity running through it? In the first case, sleep isn’t death. In the second case, it is. I would argue that you’re closer to the electricity than the brain matter, since an unpowered brain is how we define death.

    But REALLY it ultimately doesn’t matter, if you think about it. An exact clone of you created after any kind of destruction of consciousness is no different than the original you had the destruction never occurred. We just intuitively really do not like that idea.



  • You don’t need a distant science fiction MacGuffin for this. Every night you lay down and “die” for 8 hours or so, then your consciousness turns back on and you simply trust that it wasn’t altered too much in the interim. We know very well that the way we think can change from one day to the other, so who’s to say you’re really the same person?


  • dreadgoat@kbin.socialtoAnimemes@lemmy.mlA suggestion
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    10 months ago

    Too different to compare. These are all tearjerkers for sure, but in sort of a happysad way, like “so sad that we lost it but so happy that we had it.” There is something good and warm that you can identify with, and the hurt comes from it being taken away too soon.

    Happy Sugar Life is obvious from the outset that there will be nothing good or warm, there is no hope or anything worth saving. The viewer knows this, but the characters don’t. That’s what makes it so painful (in a good way) to watch unfold.


  • Flash drives are not a lasting medium. You’d need something like a quad-layer blu-ray, which is not cheap and has slow read speeds compared to solid state storage. Also nobody has blu-ray readers anymore. Also blu-ray publishers are tiny. Also the expense of distributing physical media.

    So we’ve arrived back at the beginning - you can have this cake and eat it too, but you’re going to have to eat the expense yourself. Imposing it upon the entire consumer market is selfish and wasteful.


  • I’m a bloodsucking corpo dev and honestly my read of this was very sympathetic to the FOSS dev.

    Pretty much all of my FOSS contributions have been to software that I’ve integrated into my for-profit projects. I will find a nice helpful tool, see it doesn’t have all the flexibility or functionality that I need, I’ll improve it, write tests, submit a PR, and do my best to fulfill the requests of the maintainer.

    INEVITABLY I will start getting messages from MY COMPETITORS saying “hey we saw you added this feature to this tool, that’s great but doesn’t quite integrate with our software, can u plz fix?” It’s comical. Like, I’m already leveling the playing field by making my improvements to the FOSS tool freely available to you, and now you want to pay me zero dollars to improve your competing product? This happens all the time, it’s a funny nuisance to me, and I expect a massive headache for popular maintainers. Nobody is under any obligation to help you with integration problems - you can ask, but you aren’t entitled. Fix it yourself, adhere to the maintainer’s standards, and put it out for everyone to benefit from.


  • I’ve already said that I appreciate your efforts. I’m not going to block you, your work is valuable. I’m just explaining that you ARE going to be criticized for what you choose to post, and you shouldn’t act surprised. If you really don’t care about whether or not the stories you are propagating have merit, then just ignore anyone who pushes you on it. Consider attacks on “OP” to be the original author of the article, not you.

    Or, be more selective about what you post, if the approval matters to you. Consider it constructive feedback.


  • You post a lot. I see your name come up non-stop. That is great! It is really appreciated. I’m certainly not doing that work.

    You also post quite a bit of inflammatory clickbait without having any personal knowledge to back it up. That’s a bit confounding. At the bare minimum, you need to be prepared to accept criticism for that.

    I can personally say this is the second time you’ve posted a FF16 ragebait article and gotten offended when prodded about the fact that you yourself haven’t even played it. Why are you spreading information that you don’t even have the ability to evaluate?