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That and a set of kneepads.
That and a set of kneepads.
I miss the OG Prey. That gravity was fun.
If it’s part of a performance, for example. I guess the point of the debate here is that context matters and that you can do it under very, very specific circumstances.
“Free speech” is very much misunderstood as a form of carte blanche as your example demonstrates. It’s written as “Congress shall make no law…” etc., implying you’re protected only from the federal government, but as time and court cases and legal discourse have shown, there are limits and implications for lower legislatures to model from. The classic hypothetical example is “yelling fire in a crowded theater.” Can you? Yes. Should you? Unless there’s a fire, no, then it could cause panic and injury, and you’d be responsible. That sort of thing. (The US loves a lawsuit).
Tl;dr to answer your question: no.
The ISP motto: “I am altering the deal. Pray I don’t alter it any further.”
“John Wayne Toilet Paper: don’t take shit off nobody.”
Your commission, Debo: “about two hundred dollars.”
Sadly, I don’t think so. The pandemic-era cash grab solution was software that’s basically spyware, logging keystrokes, mouse movements, taking screenshots, etc. Some clever individuals just taped vibrators to their mice and walked away for breaks. You’re asking middle management to do real work here, ya silly.
“What IS your fascination with my forbidden closet of mysteries?”
When C. Diff Strikes: Mile High Edition
Don’t worry, we’ll shovel more garbage reality shows into your app and wreck the ux even harder. Here’s 40 seasons of people having diarrhea on airplanes. Expect price increases in 6 months.
It’s not technically hacking when Elon leaves the door open after slamming his dick in it.
“Here’s our millennial expert on technology to explain it to us. Thank you for being here.”
“No problem.”
“WHAT”
Nonsense. This place is refreshing, like the bold taste of New Coke.
An interesting case (from a book which I unfortunately can’t remember the name of) from when Jack Benny’s career transitioned from radio to tv: he hated the laugh track, so much so that he demanded it be cut way back and lowered in volume. He also utilized it in an unexpected way: when he had a live audience in certain cases, if a joke or gag got an unexpected big laugh that he didn’t think deserved the reaction, he’d fill in a laugh track with a more muted response.