the ocean collective, if you enjoy the more progressive stuff

phanerozoic i

phanerozoic ii

holocene

i bought mine from swappa, they seem to have a pretty decent support system for any potential fraud.

sorry, ive never left a comment like that before and didnt realize it would look off. thanks!

aside from some of the more obvious choices (rushdie, wallace, mccarthy, morrison):

don delillo, esp. underworld and white noise

ted chiang, esp. exhalation

marilyn robinson, esp. housekeeping

denis johnson, esp. jesus’ son and tree of smoke

colson whitehead, esp. the intuitionist and the nickel boys

and while relatively new so maybe not at the same status as some other writers, jamil jan kochai and nana kwame adjei-brenyah will be making lists like these in the future if they keep writing the way they have.

there is a website for a pizza place in seattle whose website does this, maybe you can get some inspiration. dinos

i am desperately praying for a pineprinter

i imagine theres a lot of overlap.

just be careful about those thinkpad chromebooks

that is a nice conundrum. almost like it is impossible to become a billonaire if the desire to benefit society is too high on your priority list.

directed by miloš forman, who also directed one flew over the cuckoos nest, amadeus, and the people vs larry flynt. hard to believe anything hes done could end up being so underappreciated!

i would see your point if my reasoning were extended beyond where my boundaries are set. my position is based on a lot of factors and isnt a blanket statement that piracy is never immoral or that everyone should pirate all the time regardless of circumstances. if everyone were to pirate, it would certainly change my perspective on it as a broad practice, though not absolutely.

my argument, at least from the perspective of my original comment, was more of a reflection of my feelings that the least deserving are making the most profit off of any given large studio property, and i advocated piracy as a reaction to that given current studio structuring and the state of the entertainment market. and i understand that the profit of previous properties are directly responsible for the amount invested in subsequent works, but there is a certain degree of profitability which makes me feel like any argument about how piracy is hurting business is petty complaining over what is comparitively loose change for those that continue to be paid. i dont quite get a pang of empathy for a few thousand or even tens of thousands of instances of piracy for a property with profits in the hundres of millions considering how many instances were from people priced out anyway.

well, when reduced to those terms they so seem to be similar concepts but needs and luxuries are not exactly equivalent, not to mention the difference between a tangible possession vs an intangible “experience” which have wildly different relationships, transaction types, and even grey area over what is considered piracy.

also, claiming society has agreed on these exchanges being “right” isnt exactly accurate. society certainly tolerates these exchanges, but to what degree has changed significantly in recent years. theres a good debate over intellectual property ownership, and whether the original idea is more valuable than the creation of the work itself. certain aspects of filmmaking, for instance, are recognized as being more significant to the finished work than some other roles (directors, cinematographers, etc) but the fair compensation of other roles which make no less significant contributions to the relevance of any work is a subject on which society cannot make a fair judgment without knowing the details of every relationship.

in the end, i believe piracy is and should be viewed as an organic market force which should prompt corrections in order to minimize, but due to the nature of the transaction it will never go away.

the way i see it, on big budget productions anyone who is relying on their paycheck to survive already got paid for their work, and the ones collecting royalties or sales percentages are rich enough that i couldnt care less. smaller independent studios or individual creators are the ones that i will always support, and in cases like itch.io games that are pwyw i will take the free download and figure out how much i will pay based on how much i like the game.

this is the ultimate result of shareholder theory. after a company hits their efficiency stride based on its resources and theres no more innovation to fuel profit, what else can it do but make shit smaller/less effective/worse. we just need an economic theory that includes broader society in the scope of fiduciary duties that businesses will actually take seriously.

i think this is my third commemt, already almost equal to the amount i made on reddit in all those years i was there.

fun might not be the right word, but I’ve been playing New Vegas and trying to throw out every piece of trash I can find. if adding an item to my inventory would cause karma loss, I use grab and move it over next to a trash can. I also separate the different kinds of trash, and in McCarran and Vikki and Vance I cleaned up the bar/restaurant areas by stacking plates and cups, and disposed of all cigarettes into ash trays. its… exhausting, really.

previously I think I would have said about 10-12 feels like the proper cutoff, but I took my 3.5 year old out tonight, and at one house she got a king size snickers bar while the teens after us got fun size. this feels the most fair.

My contribution to beehaw so far is this comment. I have confidence issues, and have been essentially radio silent on social media for the past ten years, but I’m at a turning point in my life and writing is the only thing that makes sense I need to start now. I have a few sketches of ideas but none fully realized.

I’m primarily interested in short stories which I would like to potentially narrate in the future, but I’m slowly trying to get over the confidence problem at the moment.